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одном посте многочисленные производственные трудности на съёмках 1 сезона, который "через две недели съёмок мы отставали от графика на три недели".
Героические люди, героические.
To boil down the big production issues in block one, with a little bit of reading-between-the-lines but hopefully not too much...
* The original overall plan seems to have been that they'd start with two days doing the "space pig" sequence at the hospital, then the Auton attack from "Rose", then a week in London getting footage for all three episodes, then a couple of days in Cardiff getting various other location bits (like Rose's department-store basement and the rubble of Downing Street), then a two-week shoot at Hensol Castle for the Downing Street interiors, then further filming for the Auton Lair and restaurant scenes, then into studio.
* First thing to go awry was the space pig shoot -- they ran out of time, and tried to schedule a remount for the bits they'd missed in the days right after London.
* Then they lost a lot of time in London, and various scenes which were meant to be shot on location had to be rewritten for other locations or studio (including a brief scene of the Slitheen policeman at the Powell Estate which meant they had to mock the place up as a studio set).
* Then the Autons-in-the-basement sequence also took too long (and would need pickups later), and the space pig remount had to be pushed back *again*.
* Somewhere around this time, the shoot for Clive's street, and the shop-floor and exterior scenes for Rose's department store, also had to be postponed because other stuff had overrun.
* It's around this point that the famous "we're two weeks in and three weeks behind schedule, SEND HELP" conversations happened, which resulted in Tracie Simpson being airlifted in by Julie Gardner to get things back under control.
читать дальше* And we haven't even hit the Slitheen yet... That all started with the Downing Street shoot, and was by all accounts one hell of a learning experience. The Slitheen wobbled, the CG didn't match, and they had to add extra FX shots to sell the Slitheen better (e.g. the CGI blinking eyes).
* Then came the Auton lair, where technically they finished on schedule, but they had to lose a lot of coverage. And the restaurant shoot for "Rose", where they overran and would need to pick up *more* bits.
* They hit more problems in studio -- more Slitheen antics, the backdrop outside the Tylers' front door looked rubbish (they added CGI to blur it out behind the Doctor), et cetera.
* In the end they had to extend the main shooting block by a week (September 6-11). During this bonus time they finished the studio scenes in the Tyler's flat (including Euros Lyn's scene for "End of the World"), picked up Clive's shed, the exteriors on Clive's street, Rose running up and down the stairwell for the Powell Estate, the rest of the restaurant shoot, the missing space-pig-hospital scenes, pickups for the Doctor and Rose fighting the dummies in the lift, and the interiors and exteriors of Rose's department store (this would be the day the "flaming sofa" effect went wrong). As far as we're aware, all this material was still directed by Keith Boak.
* Main-unit production then shut down for a week before block 2. (This is rare in modern Who.) Meanwhile, block 1 was doing its model filming, including the destruction of Downing Street, the department store, and the Nestene lair.
* So from three weeks behind, they'd clawed back a bit of time -- block two only started *two* weeks after block one was supposed to end.
* Around now, they were finding that *all* their scripts were underrunning -- not just "Rose", "AoL", and "WW3", but "Unquiet Dead" (which was shot first in its block) was also coming in underlength.
* Fortunately, Euros Lyn was able to squeeze in three days' worth of additional scenes for "Rose", "Unquiet Dead", and "End of the World" within the (now-normal) five-week shooting schedule for block two. These include the extended remount of the "turning of the earth" scene, Rose talking about her father to Gwyneth (and the "Bad Wolf" reference), Dickens asking if his work would live on, and the opening TARDIS scene for "End of the World".
* After the problems with juggling a three-episode block the first time around, they decided to split block three -- originally episode 7 was going to be shot alongside 6 and 8, but it was given a block of its own.
* Block three -- while Joe Ahearne was doing "Dalek" and "Father's Day" (basically on schedule), Euros Lyn was brought in for three days of additional scenes on AoL/WW3 (detailed earlier in the thread IIRC). These days also included the final back-on-Earth scene of "End of the World". For reference -- the extra AoL/WW3 scenes included Jackie asking Rose where she'd been, the Doctor and Rose in the gridlocked London traffic, their ride in the back of the posh black car, an extension to the Doctor/Rose/Mickey scene in the TARDIS, Jackie having a cry while she's holed up in Mickey's flat, and the entire sequence at the end of WW3 with Rose returning home, Jackie trying to coax the Doctor to stay for dinner, while the Doctor tempts Rose to come away with him again.
* Oh, then block four ("Long Game") ran a day over schedule too.
* And while they're at it, they realised they couldn't afford all the CGI for Cassandra, and RTD wrote the Rafallo-the-plumber scene to replace one of her scenes, so there were *more* pickups going on.
* But about those two weeks they still had to make up? They seem to have gained back a week through "Boom Town" -- which was half double-banked with "Empty Child". And then... at the end of the season, Eccleston was released just over a week before the last block wrapped; it looks like they extended their shooting schedule by a week, and then juggled things so they'd only have to pay one star for the extra week!
* (Oh, and then it looks like they extended "Parting of the Ways" by *another* day, which only needed Barrowman and the guest cast.)